Cynthia Navaretta Memorial

Video edited by Judith Kerman

Cynthia Navaretta Memorial

Cynthia Navaretta, a native New Yorker, was born Cynthia Greenberg on January 31st, 1923, she was a graduate architect and mechanical engineer, a rarity in those days, but made a name for herself in what had been traditionally a male-dominated contemporary art world, beginning in the 1940s.

Over a long life she befriended thousands of artists, working most ardently on behalf of women in the arts and women artists of color, specifically. A quiet force, yet one who earned wide respect. She gained recognition in her educated field by designing the air conditioning and heating systems for the New York World’s Fair in 1964. She published Women Artist’s News and established Mid-March Arts Press in the 1970s.

As a member of The Club in the 1950s, Navaretta was one of just a few women to penetrate that male preserve of Abstract Expressionists. As a result of her early access to the members of the New York School painters and sculptors, she and her late husband, the painter Emanual Navaretta, amassed a noteworthy collection of art. She went on to start a series of artist service organizations and serve on the boards of others including: The Artists Certification Committee of the New York Department of Cultural Affairs, The New York City Loft Board, The Foundation for the Community of Artists, The College Art Association, the Artists Talk on Art steering committee and later board of directors, the Women’s Caucus on Art, the International Association of Art Critics and a number of others.

Among her many published books were: Women Artists of the World, Mutiny in the Mainstream: Talk that Changed Art 1975 – 1990 (with Judy Seigel), Gumbo Ya Ya: Anthology of African-American Artists and a Guide to Women’s Art Organizations, to name just a few.

She is survived by her son Miles Navaretta, his wife Deborah and a grandchild.

MC: Susan Schwalb
Primary Memorial Speakers: the series of primary speakers will include (in alphabetical order):

Katie Deepwell, publisher
Kari Grimsby, photographer and website designer
Leslie King Hammond, artist, arts administrator, curator and art historian
Cassandra Langer, art critic, art historian and artist
Kim Levin, art critic and writer
Susan Platt, art historian, art critic
Howardina Pindell, artist
Susan Schwalb, artist , art writer
Douglas I. Sheer, artist, writer and Artist Talk on Art Chairman Emeritus
Dorothy Sinclair, actress and friend

Additional speakers are being allotted time at the conclusion of these remarks.

Remembering Cynthia Navaretta

Remembering Cynthia Navaretta

Cynthia Navaretta, writer, editor, publisher and steadfast voice for women in the arts, passed away on May 18. She was 97. Born Cynthia Green on January 31, 1923, she earned a Master’s degree in mechanical engineering from Columbia University (1948), after having studied at the University of Wisconsin and New York University. In 1953, she married architect/painter Emanuel Navaretta and gave birth to a son, Miles. Emanuel was a founding member of the New York Artists Club, which included Franz Kline, Willem de Kooning and Ad Reinhardt. Her husband died in 1977. Her brother, dancer Martin Green, died in 2003.

As lifelong friend Dorothy Sinclair writes: “One of the earliest female engineers, she deserted that profession to become a leader in the movement to recognize women artists.” Cynthia Navaretta was not only a leader; she was truly a force to be reckoned with! Known for her outspoken and straightforward manner, she did not hesitate to criticize as well as praise. She could be counted upon to be honest with absolutely everyone.

In the early 1970s, she helped found the Women’s Caucus for Art, the Coalition of Women’s Arts Organizations and Women in the Arts. She served on numerous arts committees and boards, such as NYC’s Artist Certification Committee, SoHo 20 Gallery and the Foundation for the Community of Artists. In the late 1980s, she assumed the role of Acting Director of FCA, when its former director stepped down.In 1975, she began publication of the Women Artists Newsletter, which evolved into the magazine, Women Artist News. Circulation eventually reached a readership of 10,000. Contributors included artists such as Joyce Kozloff, Miriam Schapiro, Sylvia Sleigh, Nancy Spero and May Stevens.

In 1979, Navaretta authored the Guide to Women’s Art Organizations and Directory for the Arts. The archive she diligently maintained of women artists in the U.S. (1970-2005) is now housed in the Smithsonian Archives of American Art.

By Virginia Maksymowicz

“Bearing Witness,” organized by the Central Massachusetts Chapter of The Women’s Caucus for Art (WCA)

“Bearing Witness,” organized by the Central Massachusetts Chapter of The Women’s Caucus for Art (WCA)

ADVENTUROUS ABSTRACT EXPRESSIONIST LEADS GROUP OF CENTRAL MASS. ARTISTS IN FALL SHOW AT GALLERY SITKA

Mia Scheffey creates a picture by intuition. She has no finished image in mind when she begins to paint. She does not simply execute a preconceived idea, following some linear logic. Instead, she builds a painting by making a mark — a brush stroke — that feels right, then in effect allows the picture to “answer” her with another message about which mark, which color, which texture needs to come next. The process can’t be rushed. It is a kind of dialogue, Ms. Scheffey says, a conversation between the painter and the painting.

The Vermont-based abstract expressionist will be the featured artist in a women-only exhibition entitled “Bearing Witness,” organized by the Central Massachusetts Chapter of The Women’s Caucus for Art (WCA) and mounted at Gallery Sitka in Fitchburg, Mass. Helen Obermeyer Simmons, President of the Central Mass. Chapter, explains that the exhibit will focus on the artists’ sharing of experiences (which in some cases were traumatic) as the mainspring for their artwork. “When important events have taken place in my life,” Ms. Obermeyer Simmons says, recalling the death of family members and the birth of her children, “my first response is to make an image.”

Yet the featured artist’s work is non-representational, and hence is not likely to convey anything concrete about her experiences. The work conveys emotion and impressions by way of pure form and color. Mia contends that her paintings take on a life of their own in the midst of creation. There is a tension that builds as the marks create a structure of their own. The artist has learned that mistakes can occur while creating the painting’s energy field. Instinctive and intuitive though it is, the process has its own plan and schedule, so to say, and the “stakes” get higher as the painting nears completion.

“The reason abstract painting is so difficult is that one is not trying to represent anything,” Ms. Scheffey explains. “Instead, one is reaching to articulate something as of yet unknown or unseen to oneself…a memory, a feeling, an experience. So you are always starting from a place of being lost and searching for the way, and you must discover new combinations of line, color and form to search out and express this way.”

The Women’s Caucus for Art is a non-profit organization founded in 1972, dedicated to creating “community through art, education, and social activism,” according to the group’s mission statement. WCA recognizes the contributions of women in the arts, provides women with professional development, supports art activism, and advocates for equity in the arts all over the world. At the international level, WCA is a non-governmental organization of the United Nations and a founding institutional member of The Feminist Art Project.

“Bearing Witness” is an all-women project focusing on the concerns and commitments of women everywhere, employing work in pastel, watercolor, printmaking, photography, fiber art, sculpture and collage from a feminine and feminist perspective. Artists who will participate in the exhibit include WCA members Gail Bloom, C.M. Judge, Helen Obermeyer Simmons, Tamar Russell Brown, owner of Gallery Sitka, Kate Shaffer, Joanne Stowell, Sylvia Vander Sluis, Elsa Voelcker and Susan Wadsworth. Other Gallery Sitka artists will also be represented in this show. This opening reception will take place on Saturday, Oct. 6, 2 – 4 p.m, at Gallery Sitka West, 454 Main St. in downtown Fitchburg.

The exhibition continues at the gallery through Dec. 1. Art lovers are encouraged to go to gallerysitka.com and miascheffey.com for more information.

WCA Lifetime Achievements Awards

WCA Lifetime Achievements Awards

The Women’s Caucus for Art (WCA) is pleased to announce the recipients for the 2019 WCA Lifetime Achievement (LTA) Awards: Olga de Amaral, Mary Beth Edelson, Gladys Barker Grauer, and Mira Schor.  The recipients for the 2019 President’s Art & Activism Award are L.J. Roberts and Aruna D’Souza.

The celebration kicks off with a ticketed cocktail reception from 5:30-7:00pm at the New York Institute for Technology (NYIT) on Saturday, February 16, 2019. Guests purchasing reception tickets will be treated to three food stations, butlered treats, an open bar, and the opportunity to congratulate the awardees. Immediately following the reception at 7:00pm, doors will open for attendees for the Awards ceremony in the NYIT Auditorium. The LTA Awards ceremony from 7:30-9:00pm is free and open to the public.

Download the Press Release

Ticket counter opens Oct 1