Featured Image:Kathy High and Guy Schaffer, History of Shit, 2017. Photo by Shannon K. Johnson. Image courtesy of Kathy High. By Paula Burleigh Expanded abstract for presentation at the Women’s Caucus for Art panel, 2022 College Art Association Annual Meeting...
By LINDA VALLEJO "The Brown Dot Project" keynote presented for the panel Transhistorical Feminist Agency: A Matter of Gender, Race, Time, and Place as a part of the College Art Association (CAA) Annual Conference 2021 Data pictographs that illustrate the advancement...
By Sara Beth Woods Małgorzata Markiewicz, Medusa, 2020. Digital print on fabric. 450 x 300 cm I had the pleasure of meeting Marta Kowalewska, Chief curator at the Central Museum of Textile, Łódź, Poland during the summer of 2021. I was visiting the country...
In 1971, three white Americans opened the Muckamuck restaurant in Vancouver, advertising Northwest Coast First Nations cuisine.[1] The owners hired mainly Indigenous staff.
Friend or Foe? Access, Art and the Perfunctory Nature of Artificial Intelligence on Creative Process Featured Image : AI-Generated Portrait of Me from Lensa, 2022 Last year marked the 50th anniversary for the National Women’s Caucus for Art and we’ve only just begun...
Priscilla Otani, an NCWCA (Northern California Women’s Caucus for Art) member in San Francisco, organized “I Do Believe,” a postcard exhibit to visually discuss this subject. Artists, and members of the civil society were invited to discuss their perspectives on all sides of the abortion debate. More than 320 cards have been received to date, from people all over the United States and from many countries.